As you may know, CWC has not been able to meet since the beginning of December. An unexpected death and various snow storms have caused delays that turned into outright cancellations. We finally agreed on this Saturday, with a forecast for highs in the mid-50s and sunny skies. And then one of our group got news of another friend's death. It just seems like the Universe is trying to tell us something.
Ali received a much more positive message the other day. I've been getting some mixed signals myself.
This time we're sending a message back to the Universe: We're meeting. One of our number will be attending a funeral, and we'll have to figure out times to exchange submissions, critiques, etc. with her. And while our thoughts with be with Mary, her family and their friends, we're going to go ahead and do this thing.
Maybe the Universe is just nudging us (and with something that big, a nudge can feel like an earthquake) to see if we're really serious about this CWC thing. Because maybe if we're not, then we might not be serious about the writer thing. What the Universe needs to know, however, is just how bloody serious we are. So we're going to prove it.
Ever get the feeling that the Universe/events/gods/life was trying to tell you something? What did you do with the message?
Showing posts with label The big existential question. Show all posts
Showing posts with label The big existential question. Show all posts
Thursday, February 10, 2011
Monday, May 17, 2010
Good Enough?
Saturday I spent a good part of the day organizing the basement. I found a lot of old writing. Some were from critique groups past that somehow never found their way back home. Some were submissions to Apollo's Lyre or the PPW NewsMag. Those hit the new, heavy-duty shredder. Many were short stories or early versions of MMG.
It was amazing how many different iterations it's been through. There's the yellow one, the blue one, the pink one, the gray one and now the green one. That's a lot of writing and rewriting. And a lot of trees sacrificed.
My protagonist is nineteen-year-old Kitty Stuart. She wants her mother to haunt her, but in Kitty's attempt to piss her mother off enough to do it, Kitty falls in love with a twice-divorced, alcoholic twelve years her senior. That's what will end up haunting her, or worse.
In the earliest version, I started the book when Kitty's mother was ten years old. Okay a bit of a running start. Second version was going to be alternating chapters of Kitty and her mother as a girl to compare/contrast their lives. Again, way too early. The third one starts with Kitty as a senior in high school to show her life before and then after her mother's death.
The fourth one starts at the mother's funeral, and while it can be argued that that is where the story starts, it was confusing to throw the reader into a huge extended family scene. They don't know this girl yet so there's no connection to what she's feeling. This one was read by a few people and I consistently got that comment.
So, now we're on number five. We start with Kitty "running away" with her beau. I'll find out in two weeks if it's the right place.
It was good to note that each version improved on the one before it. There are a lot of years of writing represented there. One would hope that reading and attending workshops and conferences and getting feedback would help. And I do believe it has.
Now I'm trying to not anticipate what the CWC+ will say about this latest incarnation. But of course I am. Throw it under the bed? Major changes or just minor ones? How many more times through? And the biggest one of all, which they can't answer: Do I have it in me to do another major rewrite of this one?
And the big existential writing question: When is it good enough?
I don't expect anyone to answer those here. That's what the group is for. Except maybe that very last one. When do you know it's good enough?
It was amazing how many different iterations it's been through. There's the yellow one, the blue one, the pink one, the gray one and now the green one. That's a lot of writing and rewriting. And a lot of trees sacrificed.
My protagonist is nineteen-year-old Kitty Stuart. She wants her mother to haunt her, but in Kitty's attempt to piss her mother off enough to do it, Kitty falls in love with a twice-divorced, alcoholic twelve years her senior. That's what will end up haunting her, or worse.
In the earliest version, I started the book when Kitty's mother was ten years old. Okay a bit of a running start. Second version was going to be alternating chapters of Kitty and her mother as a girl to compare/contrast their lives. Again, way too early. The third one starts with Kitty as a senior in high school to show her life before and then after her mother's death.
The fourth one starts at the mother's funeral, and while it can be argued that that is where the story starts, it was confusing to throw the reader into a huge extended family scene. They don't know this girl yet so there's no connection to what she's feeling. This one was read by a few people and I consistently got that comment.
So, now we're on number five. We start with Kitty "running away" with her beau. I'll find out in two weeks if it's the right place.
It was good to note that each version improved on the one before it. There are a lot of years of writing represented there. One would hope that reading and attending workshops and conferences and getting feedback would help. And I do believe it has.
Now I'm trying to not anticipate what the CWC+ will say about this latest incarnation. But of course I am. Throw it under the bed? Major changes or just minor ones? How many more times through? And the biggest one of all, which they can't answer: Do I have it in me to do another major rewrite of this one?
And the big existential writing question: When is it good enough?
I don't expect anyone to answer those here. That's what the group is for. Except maybe that very last one. When do you know it's good enough?
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